Category Archives: Anxiety Disorder

Where are you?

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Utopia | 何有之鄉, 2

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有些人比天使更加美麗.

有些人比魔鬼更加醜惡.

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在哪裡,

可以找到比天使更美的人?

— Me

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這個想法是錯誤的。記住：

天使即魔鬼

原因是，任何兩個人，都起碼會因為喜好的不同，而相處不舒服。如果有一個對象，相處時十分理想，竟然沒有任何形式的不舒服，那是因為那個對象，是騙子創造出來的角色。

那個騙子飽讀詩書，有能力亦有意圖，根據和你基本的對話，了解你想要的理想對象，有什麼條件。然後投其所好（投你所好），創造那個虛擬人物出來，和你相處，從而騙取你的金錢或更多。（網上的那個她，往往是一個他，反之亦然。）你說你對物理有興趣，他會立刻長篇大論，相對論加量子力學。你話你對歷史有研究，他就馬上高談闊論，羅馬帝國衰亡史。

謊言是美好，現實是殘酷。

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大部人的錯誤概念是，愛情主要帶來快樂。實情是：

愛情是吃苦，婚姻是受罪。

正如，上班是吃苦的過程，為的是換取金錢。「理想工作」這概念教壞人。企圖找到「理想工作」，很容易導致，永久不工作。

如果某項工作是快樂的，其他人，主要是僱主本身，一早就自己做了。正正是工作厭惡，僱主不想自己做，他才把其推給你做。而薪金就是補償。

同理，婚姻是受罪的經歷，為的是換取子女。「理想對象」這概念教壞人。企圖找到「理想對象」，很容易導致，永久無對象。（如果是主動選擇單身，則不是問題。但是，幻想有理想對象的人，必然不想單身。）

如果某個對象那麼理想，她就要麼早已名花有主，要麼不需要婚姻；兩種情況，由始至終，根本不需要你。

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所以，選擇工作職位的原則，並不是找「理想工作」，而是找厭惡得來，仍然可以遷就到的工作。換句話說，排除那些「不可能遷就到」的工作便行。

沒有無刺的玫瑰
但有很多沒有玟瑰的刺

— 叔本華

不可能遷就到，而必須辭職的例子有：

一、 薪金低到連正常的，衣食往行也不夠。

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— Me@2024-08-19 03:25:32 PM

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2009.08.14 Friday \copyright ACHK

The Country of the Blind

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魔間傳奇 4

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Major themes

H. G. Wells addresses the following themes in “The Country of the Blind”:

* An isolated community will generally overcome any disability like blindness after a few generations.
* Having adapted to cope with such disabilities, an isolated community will believe that its modified behaviour is normal.
* An isolated community will tend to be closed-minded and xenophobic, and will persecute and (if necessary) maim anyone who is different and/or non-conformist.
* The maxim, “In the Country of the Blind the One-Eyed Man is King”, from Desiderius Erasmus, is not necessarily always true.
* The story may be seen as an allegory of society’s treatment of those with ability or intellect beyond the understanding of the many. The fear of the ‘barbarian’ or at least unenlightened masses is a recurrent theme in Wells’s writing.

— Wikipedia on The Country of the Blind

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2011.03.11 Friday ACHK

Inception 10

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The film cuts to the end credits from a shot of the top wobbling ambiguously, inviting speculation about whether the final sequence was reality or another dream. Nolan confirmed that the ambiguity was deliberate, saying “I’ve been asked the question more times than I’ve ever been asked any other question about any other film I’ve made… What’s funny to me is that people really do expect me to answer it.” The film’s script concludes with “Behind him, on the table, the spinning top is STILL SPINNING. And we — FADE OUT”

However, Christopher Nolan also said, “I put that cut there at the end, imposing an ambiguity from outside the film. That always felt the right ending to me — it always felt like the appropriate ‘kick’ to me… The real point of the scene — and this is what I tell people — is that Cobb isn’t looking at the top. He’s looking at his kids. He’s left it behind. That’s the emotional significance of the thing.”

— Wikipedia on Inception (film)

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2011.01.13 Thursday ACHK

Reassurance

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It’s natural to seek reassurance. Most of us want to believe that the choices we make will work out, that everything will be okay.

… But everything is never okay.

Finding the bravery to shun faux reassurance is a critical step in producing important change. Once you free yourself from the need for perfect acceptance, it’s a lot easier to launch work that matters.

— Seth Godin

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2010.11.27 Saturday ACHK

Professor

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Fry: Hey, professor. What are you teaching this semester?

Professor Hubert Farnsworth: Same thing I teach every semester. The Mathematics of Quantum Neutrino Fields. I made up the title so that no student would dare take it.

Fry: Mathematics of wonton burrito meals. I’ll be there!

Professor Hubert Farnsworth: Please, Fry. I don’t know how to teach. I’m a professor.

— “Futurama” Mars University (1999)

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2010.09.28 Tuesday ACHK

The Sixth Sense

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Cole: I see dead people.
Malcolm: In your dreams? (Cole shakes his head no)
Malcolm: While you’re awake? (Cole nods)
Malcolm: Dead people like, in graves? In coffins?
Cole: Walking around like regular people. They don’t see each other. They only see what they want to see. They don’t know they’re dead.
Malcolm: How often do you see them?
Cole: ALL THE TIME.

— The Sixth Sense

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Cole: I see dumb people.
Malcolm: In your dreams? (Cole shakes his head no)
Malcolm: While you’re awake? (Cole nods)
Malcolm: Dumb people like, in graves? In coffins?
Cole: Walking around like regular people. They don’t see each other. They only see what they want to see. They don’t know they’re dumb.
Malcolm: How often do you see them?
Cole: ALL THE TIME.

— Me@2010.09.15

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2010.09.16 Thursday ACHK

Bureaucracy 2

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The only thing that saves us from the bureaucracy is inefficiency. An efficient bureaucracy is the greatest threat to liberty.

* Eugene McCarthy, quoted in Time magazine, 12 February 1979

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2010.08.25 Wednesday ACHK

Responsibility

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When you’re old and eminent, what will you miss about being young and obscure? What people seem to miss most is the lack of responsibilities.

Responsibility is an occupational disease of eminence. In principle you could avoid it, just as in principle you could avoid getting fat as you get old, but few do. I sometimes suspect that responsibility is a trap and that the most virtuous route would be to shirk it, but regardless it’s certainly constraining.

— Paul Graham

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2010.08.17 Tuesday ACHK

Inception 8

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潛行凶間 8

Christopher Nolan 3

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Dreams feel real while we’re in them. It’s only when we wake up that we realize something was actually strange.

— Inception (film)

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當我看這部電影時，不覺有不妥。但是，現在想起來，劇情有很多細節奇怪的地方。

這正正符合「Dreams feel real while we’re in them. It’s only when we wake up that we realize something was actually strange.」的意思。

— Me@2010.08.01

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Christopher Nolan 玩 recursion（自我指涉），比 Charlie Kaufman，還要高一個層次。

— Me@2010.08.01

— Me@2010.08.05

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2010.08.16 Monday copyright ACHK