Inception 13

潛行凶間 13

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Reality –> Me –> Inception

真實 –> 凝結 –> 凝固

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我的網誌凝結了我的思想,

潛行凶間凝固了我的理論。

— Me@2010.08.03

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2011.01.17 Monday (c) ACHK

Inception 12

潛行凶間 12

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夢中多重自我

Human Mind/Self is a fractal.

— Me@2010.08.02

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2011.01.16 Sunday (c) ACHK

 

Inception 11

如何拯救眾生 4

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<<Inception>> contains most of the important topics I have thought of in these few months:

1. Multi-mind

2. Layers of consciousness

3. Dream time

4. Lucid dream

5. Idea/software as a way to save Earth people

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The deeper the consciousness, the more powerful it is.

The deepest layer is the Light.

The Light of everyone is the same.

— Me@2010.08.06

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人同此心,心同此理

— Me@2010.08.09

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2011.01.15 Saturday (c) ACHK

Evil begets stupidity

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But the other reason programmers are fussy, I think, is that evil begets stupidity. An organization that wins by exercising power starts to lose the ability to win by doing better work. And it’s not fun for a smart person to work in a place where the best ideas aren’t the ones that win. I think the reason Google embraced “Don’t be evil” so eagerly was not so much to impress the outside world as to inoculate themselves against arrogance.

— Paul Graham

Perhaps worst of all, Microsoft is no longer considered the cool or cutting-edge place to work. There has been a steady exit of its best and brightest.

Not everything that has gone wrong at Microsoft is due to internecine warfare. Part of the problem is a historic preference to develop (highly profitable) software without undertaking (highly risky) hardware.

It’s not an accident that almost all the executives in charge of Microsoft’s music, e-books, phone, online, search and tablet efforts over the past decade have left.

— Microsoft’s Creative Destruction, By Dick Brass, New York Times

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2011.01.14 Friday ACHK

Inception 10

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The film cuts to the end credits from a shot of the top wobbling ambiguously, inviting speculation about whether the final sequence was reality or another dream. Nolan confirmed that the ambiguity was deliberate, saying “I’ve been asked the question more times than I’ve ever been asked any other question about any other film I’ve made… What’s funny to me is that people really do expect me to answer it.” The film’s script concludes with “Behind him, on the table, the spinning top is STILL SPINNING. And we — FADE OUT”

However, Christopher Nolan also said, “I put that cut there at the end, imposing an ambiguity from outside the film. That always felt the right ending to me — it always felt like the appropriate ‘kick’ to me… The real point of the scene — and this is what I tell people — is that Cobb isn’t looking at the top. He’s looking at his kids. He’s left it behind. That’s the emotional significance of the thing.”

— Wikipedia on Inception (film)

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2011.01.13 Thursday ACHK

Genius 3

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* If you knew how much work went into it, you would not call it genius.

o On the paintings in the Sistine Chapel

— Michelangelo Buonarroti

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2011.01.10 Monday ACHK

Be water

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* Don’t get set into one form, adapt it and build your own, and let it grow, be like water. Empty your mind, be formless, shapeless — like water. Now you put water in a cup, it becomes the cup; You put water into a bottle it becomes the bottle; You put it in a teapot it becomes the teapot. Now water can flow or it can crash. Be water, my friend.

o Bruce Lee: A Warrior’s Journey (2000); here, Lee was reciting lines he wrote for his short lived role on the TV series Longstreet.

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2011.01.08 Saturday ACHK

Good design

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Good design is timeless. Strangely enough, if you want to make something that will appeal to future generations, one way to do it is to try to appeal to past generations. It’s hard to guess what the future will be like, but we can be sure it will be like the past in caring nothing for present fashions. So if you can make something that appeals to people today and would also have appealed to people in 1500, there is a good chance it will appeal to people in 2500.

— Paul Graham

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2011.01.07 Friday ACHK

4.12 Dyson

1. Always make new mistakes. — Esther Dyson

2. Always make new mistakes. — Esther Dyson

3. There is no way to find the best design except to try out as many designs as possible and discard the failures. — Freeman Dyson

4. If you want to have good ideas you must have many ideas. Most of them will be wrong, and what you have to learn is which ones to throw away. — Linus Pauling

5. Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep. — Scott Adams, The Dilbert Principle

— Me@2008.09.06

2011.01.05 Wednesday (c) All rights reserved by ACHK 

天嬰

【斷片一 天嬰】

透思生死
棲無敗域

仰首繁星
神馳於榮光之間
俯視紅塵
隨順於無常之際

夜無痕
雪無跡
花無憾

— Mr Lee

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2011.01.05 Wednesday ACHK

Original

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* Next to the originator of a good sentence is the first quoter of it.

* A great man quotes bravely, and will not draw on his invention when his memory serves him with a word just as good.

* Genius borrows nobly. When Shakespeare is charged with debts to his authors, Landor replies: “Yet he was more original than his originals. He breathed upon dead bodies and brought them into life.”

— Ralph Waldo Emerson

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2011.01.04 Tuesday ACHK

Startup 3

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This seems an inevitable consequence of bigness. It’s true even in the smartest companies. I was talking recently to a founder who considered starting a startup right out of college, but went to work for Google instead because he thought he’d learn more there. He didn’t learn as much as he expected. Programmers learn by doing, and most of the things he wanted to do, he couldn’t—sometimes because the company wouldn’t let him, but often because the company’s code wouldn’t let him. Between the drag of legacy code, the overhead of doing development in such a large organization, and the restrictions imposed by interfaces owned by other groups, he could only try a fraction of the things he would have liked to. He said he has learned much more in his own startup, despite the fact that he has to do all the company’s errands as well as programming, because at least when he’s programming he can do whatever he wants.

— Paul Graham

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2010.12.31 Friday ACHK

A combination lock

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* Ambition is the death of thought.

* Philosophy is like trying to open a safe with a combination lock: each little adjustment of the dials seems to achieve nothing, only when everything is in place does the door open.

* Philosophical problems can be compared to locks on safes, which can be opened by dialing a certain word or number, so that no force can open the door until just this word has been hit upon, and once it is hit upon any child can open it.

— Ludwig Wittgenstein

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2010.12.30 Thursday ACHK